teenmaar

The movie is mostly a copy of the much better made Hindi movie ‘Love Aaj Kal’.

Teenmaar opens with a very powerful and of course completely irrelevant premise – that it being the story of 2 senadhipatis and about ‘Art of War’. Positively flummoxed it was a very interesting start to an already known love story which was supposed to have zero talk about politics, battles or even arguments.

Generally remakes are very easy bets. All that the director has to do is understand the spirit of the movie. Understand what made it click with the audience and that’s it. The screenplay, the settings, dialogues are all tailor made and available as raw material for the new one. ‘Love Aaj Kal’ had a very simple premise – the way youth from 2 generations looked at love. They had 2 different and probably even valid view points – it was left to the audience – the director only had a story to narrate. And here sadly the director never ‘gets’ it.

Here it becomes a war of old vs new – how the new never appreciates the old. A long winding sermon of a movie showing everything the new does as childish or even immature. That a whole generation gets labelled as selfish and not without a vision or a heart.

Nevertheless, the moment the hero Pavan Kalyan started mouthing Italiano much to the immense pleasure of the heroine – all hell broke lose. If that was Italiano no doubt James Bond never needed them skills to seduce his women. At the top of his game (implying that Pavan Kalyan has already peaked) he was a romantic fast talking enigmatic young warrior, all his movies then were genuine runaway hits. But in this one – the Italian is crap (Im yet to hear a Italian accent that as indecipherable as his), the dialogues so pedestrian, the movie so twisted out of shape – its a shame. Only 2 songs were worth listening and neither of them had any meaningful lyrics to think back upon.

The older one is dressed in kurtas and jeans all the time – I am still having a hard time figuring which part of India he was from – for all I know this might be intentional to keep us guessing about the time period and place he was from. Telugu film directors were never very good at period movies anyways – a british autocrat who would appear in sunglasses in one movie and here the protagonist appears in jeans. Sometimes I wonder if the Indians think of developing countries as lagging the developed countries by 20 – 30 years – so its only a matter of time – we would reach them in couple of years time ‘anyways’.

It must be the pure Indian hypocrisy at play – that Indians have no problem working with or under Americans – they even make their fortunes there – but anytime an Indian decides to deride them in his own mother language – the movie ends up in loud cheers. And sadly that was a biggest saving grace for the film – the only decent bits of comedy.

And I understand its going to be a massive hit.

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